Francois Tremblay wrote:Space can't sell a movie anymore.
Yes, because obviously 2001 was about SPACE. :roll:
It kind of is. Part of the goal was to impress upon the audience the immensity of SPACE; its quiet, its long duration, its slow but steady changes, its incredibly large amount of hugeness...
The long docking sequences were AWESOME (in 1968 when nobody had ever seen anything like it)
The long space sequences were AWESOME (in 1968 shown on THREE 70mm screens because it was filmed with three cameras, and nobody really had any experience with space except grainy bullshit from the Mercury and Gemini missions. Apollo 1 only blew up a few months before the release.)
But none of that translates to the post Star Wars, post Shuttle, computer-centric world which was first envisioned realistically in that film.
The mid-90's recut has the wrist-slittingly long docking sequences trimmed up, and flows much better for it. One could cut it up even more with a time-slicer - just speed those babies up!
The story with Hal is, in many ways, the
main story, but 2010 proved that the major plot is also about SPACE, or at least ASTRONOMICAL ISSUES.
The bullshit at the end of 2001 is supposed to represent Dave's experience getting mind picked apart by the superior intelligence of the monoliths, just like Hal falls apart when Dave's superior intelligence - or at least, hands - picks his memory chips apart. Its completely random...for a reason.
But you don't get the rest of either story until 2010...
-Tom
If the person making a decision is not the one assuming the risks of a potential mistake, then the decision is more often a poor one. -T.Sowell
I hate tmaq so much that I completely misread his post.